First solo LP by none other than former REM guitarist & friend Peter Buck. Believe it or not, released on vinyl only by Mississippi Records (No CD or download available anywhere) ...& it gets weirder. This LP was cut pure analogue - straight from tape to disc. A real old fashioned freak out record filled with Stooges like crunchy guitar riffs, strange atmospheric sounds, far out dark lyrics & some catchy pop hooks here & there. Peter & various friends you've probably heard of, gathered at Type Foundry Studio here in Portland & laid out this record fast & furious. A real madcap journey of a record put together with nothing but love & a sense of immediacy. Peter & friends are taking things back to a simpler time when you could walk down to your local record shop/label & say, "hey, check out my new record...you wanna put it out?" We said, "Sure!" Straight from the heart - here tis'. Limited edition LP not to be missed. Limited edition of 2,000. (Previously deleted 1/1/19. Original release date 11/20/12.)

Jim Campilongo and the 10 Gallon Cats debut album from 1996 is finally available on vinyl. Bigzines wrote “…the Cats' first record knocked off our proverbial socks…” Hi Fi Reviews wrote “[…Campilongo] has chops galore and ideas to match. He attacks swing licks with a down-home raunch and sense of humor ..." Guitar Shop Magazine said “…Campilongo possesses slick flatpicking chops and a great Tele tone . . . No question this disc is a must for Teleheads and starving country-jazzers alike…” Remastered for vinyl by the legendary Greg Calbi this long out of print record returns sounding better then ever!

Maybe the hardest to find Dead Moon LP. All kinds of killer songs. Another stone cold classic by the worlds greatest rock band. Some call them the thinking man's AC/DC & some call them the working man's Roky Erickson but really there is nothing that compares to Dead Moon. They live in a world of their own - D.I.Y on every imaginable level, brilliant song writing, perfect elemental stripped down playing, honest & intense vocals. It's all here. (Previously deleted:2/1/18. Original release date:4/16/13)

“Train A Comin” the 1995 release by Steve Earle was his first album since the “The Hard Way” five years earlier. Steve returned to basics on this all acoustic record with help from Peter Rowan, Norman Blake, Roy Huskey, and Emmylou Harris. “Train A Comin’” finds Steve mixing some of his older material written decades before, such as “Mercenary Song”, with choice covers of the Beatles “I’m Looking Through You”, Townes Van Zandt’s “Tecumseh Valley” and The Melodians reggae classic “Rivers Of Babylon”. A critical and fan favorite “Train A Comin’” is a gem and one of the best albums of Steve's career. Issued for the first time ever on vinyl with a double sided insert. (Previously deleted 11/1/20. Original release date 12/16/14.)

"Jazz Vocal Collection 3" is the 3rd volume in a new Audiophile compilation series featuring beloved Audiophile Artists such as Maria Winther, Jenny Evans, Dina Blade and many more. The selection of the 12 tracks on this album will bring the listener an eclectic mix of familiar and evocative songs. This album contains covers of such well-known hits as "Love Is A Many Splendored Thing", "What A Fool Believes" "Paint It Black" and many more. In approaching this rich collection, the performance of the artists will touch your soul as it is designed to be enjoyed and admired with your audio system. This extended resolution CD (XRCD24) from JVC brings the listener higher fidelity and improved audio quality by enhancing the process of mastering and manufacturing compact discs. This XRCD24 is compatible with all CD players.

Throughout Waking the Dreaming Body, Walker's uncanny sound design evokes the delicacy, grandeur and terrifying enormity of the American Southwest. Close your eyes while listening to "Horizon, Harbor Resonance," the thirteen-minute instrumental at the album's center, and sense the shifting desert landscape; the slow parade of cumulus cloud shadows across the red earth, and then, moving backwards in time, the thunderous eruptions of ancient volcanoes that pushed the Tucson Mountains skyward. "Waking the Dreaming Body became an attempt to break out of my insularity, wrestling with my separation from the natural world. I write about mountains and rivers but all through more of a longing and detachment. Maybe there's hope in there? I made this whole record almost entirely alone so I'm actually not sure if I make it to the other side." Gold vinyl

Throughout Waking the Dreaming Body, Walker's uncanny sound design evokes the delicacy, grandeur and terrifying enormity of the American Southwest. Close your eyes while listening to "Horizon, Harbor Resonance," the thirteen-minute instrumental at the album's center, and sense the shifting desert landscape; the slow parade of cumulus cloud shadows across the red earth, and then, moving backwards in time, the thunderous eruptions of ancient volcanoes that pushed the Tucson Mountains skyward. "Waking the Dreaming Body became an attempt to break out of my insularity, wrestling with my separation from the natural world. I write about mountains and rivers but all through more of a longing and detachment. Maybe there's hope in there? I made this whole record almost entirely alone so I'm actually not sure if I make it to the other side."